In the tradition of Dale Clark’s memorable fan publications, comes the Dark Shadows Podcast of Questions & Answers volume THREE! In this installment, Penny Dreadful addresses the following questions: How did Roxanne become a vampire in the unaltered 1840? Why isn’t Chris Jennings’ brother Tom also werewolf? Was Angelique really at Collinwood in the original run of 1897, as we see in a flashback? Is it an error that silver bullets can be used to destroy vampires on Dark Shadows? How can Barnabas be rendered unconscious in a car accident if he's a vampire? Why does Josette’s music box play two different themes? What happened to the blackmail money that Elizabeth Collins Stoddard deposited into a Swiss bank account for Jason McGuire? When the ghost of Sarah Collins says, “Those who were here before have come back, and they’re angry, and there’s someone in this house they want to destroy,” to whom is she referring? The episode ends with promotion for other Dark Shadows and horror-related podcasts, shows, books, and projects.

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Robert Cobert’s iconic music themes for Dark Shadows were integral to the identity of the entire series and its two film spinoffs. Musician, author, and DePaul University College of Law professor, Ben Alba, visits the podcast to discuss and celebrate some favorite Cobert pieces. Throughout the course of episode, Ben even plays a few bars from several of the themes on his keyboard. Topics include: Ben’s lifelong fascination with the music from Dark Shadows, playing on the piano for fans at a Dark Shadows Festival, Bob Cobert’s incredible range as a composer, Dark Shadows soundtrack albums, and much more!

Correction: According to the interview with Bob Cobert in the booklet included with Discs 5 & 6 of ‘The Complete Dark Shadows Soundtrack Music Collection’ – “Many people assume that the instrument playing the Dark Shadows theme was a Theremin, but it wasn’t. The opening theme was neither a Theremin nor an Ondes Martinot. It was a Yamaha synthesizer with a string on it that made a Theremin-like sound. We couldn’t find an Ondes Martinot player or a Theremin player in New York, so we used that, and it was played by a very famous pianist named Dick Hyman… What you’re hearing in the theme is, melodically, a Yamaha on top, an alto flute on the bottom, then a bass, vibes, and harp, playing atonal accompaniment – five players in all.” I actually knew about this but misremembered the tweaked synthesizer organ as the way Robert Cobert initially presented the theme to Dan Curtis. Cobert presented the theme to Curtis by describing it and sort of whistling it while shaking his head about. I pulled the instrument listing (including the Theremin) from an online article and should have double-checked everything before recording the episode. Apologies. Also, from the same interview: “Almost all of the Dark Shadows music cues were recorded in England. It was money, pure and simple... the theme itself was recorded in New York.”

UPDATE: However, according to listener Jim Negro, it was an Electro-Theremin ("Tannerin") that was used in the DS theme: "The instrument used on the Dark Shadows Theme is indeed a Theremin, but not a traditional model. It was called an Electro-Theremin, and was invented and played by a man named Paul Tanner. Modern versions of this instrument are called the "Tannerin" in his honor, and also to help differentiate it from a traditional Theremin. It was Paul Tanner that contributed to the score; not Dick Hyman (see below).

Traditional Theremins are notoriously difficult to play and record with, so the Electro-Theremin was created as a substitute. It's played much like a regular keyboard, but has slide controls that alter pitch and volume. Most famous "Theremin" songs you've heard like the Dark Shadows Theme and the Beach Boys Good Vibrations are actually the Electro-Theremin.

Bob Cobert misspoke in the interview (perfectly understandable, given he was an octogenarian at the time) which has caused a lot of confusion. Yamaha Synthesizers didn't exist until 1974, and there's no "string" attachment to be had on them. He was describing an Electro-Theremin and its slide controls.

Dick Hyman confirmed he did not contribute anything to the Dark Shadows score. He's kept meticulous notes of all his sessions, going back to the late 1940s, and there's nothing for the Robert Cobert Orchestra or for any television/film score at that time. On the dates Bob Cobert was recording the theme in New York, Hyman was in Chicago recording material for the I'll Never Be The Same Again album. It would have been pretty unlikely that Hyman finished recording in Chicago during the day, flew to New York that night to record an Electro-Theremin part for a soap opera theme, then flew back to Chicago by the next morning to resume his album sessions, and not have any memory or record of doing so. There's also no evidence he ever played the Electro-Theremin or even knew what it was.

There was only one Electro-Theremin in existence, and it was owned by its inventor, Paul Tanner. He was the only person that was ever known to play it. All verified instances of its use (The Beach Boys Pet Sounds album, the My Favorite Martian score, the Music For Heavenly Bodies LP, the Ghost and Mrs. Muir theme, etc) were all performed by Paul Tanner, meaning the Dark Shadows score is almost certainly performed by him as well. The fact that he was under contract to ABC Television at the time pretty much seals the deal."